|
Role |
Size of Role |
Description* |
|
The Athenian Court |
||
|
Theseus , Duke of Athens |
Minor |
The heroic duke of Athens, engaged to Hippolyta. Theseus represents
power and order throughout the play. He appears only at the beginning and
end of the story, removed from the dreamlike events of the forest. |
|
Hippolyta , Queen of the Amazons |
Minor |
The queen of the Amazons. She was defeated by Theseus and is now
betrothed to him. |
|
Egeus , an Athenian Nobleman |
Minor |
Hermia’s father, who brings a complaint against his daughter to
Theseus: Egeus has given Demetrius permission to marry Hermia, but Hermia,
in love with Lysander, refuses to marry Demetrius. Egeus’s severe
insistence that Hermia either respect his wishes or be held accountable to
Athenian law places him squarely outside the whimsical dream realm of the
forest. |
|
Philostrate, Master of the Revels |
Very Minor |
The master of ceremonies in Duke Theseus' court. |
|
The
Lovers |
||
|
Hermia , Egeus’s daughter |
Principal |
Egeus’s daughter, a young woman of Athens. Hermia is in love with
Lysander and is a childhood friend of Helena. As a result of the
fairies’ mischief with Oberon’s love potion, both Lysander and
Demetrius suddenly fall in love with Helena. Self-conscious about her
short stature, Hermia suspects that Helena has wooed the men with her
height. By morning, however, Puck has sorted matters out with the love
potion, and Lysander’s love for Hermia is restored. |
|
Lysander , loved by Hermia |
Principal |
A young man of Athens, in love with Hermia. Lysander’s relationship
with Hermia invokes the theme of love’s difficulty: he cannot marry her
openly because Egeus, her father, wishes her to wed Demetrius; when
Lysander and Hermia run away into the forest, Lysander becomes the victim
of misapplied magic and wakes up in love with Helena. |
|
Demetrius, Egeus’s chosen suitor for Hermia |
Principal |
A young man of Athens, initially in love with Hermia and ultimately in
love with Helena. Demetrius’s obstinate pursuit of Hermia throws love
out of balance among the quartet of Athenian youths and precludes a
symmetrical two-couple arrangement. |
|
Helena , in love with Demetrius |
Principal |
A young woman of Athens, in love with Demetrius. Demetrius and Helena
were once betrothed, but when Demetrius met Helena’s friend Hermia, he
fell in love with her and abandoned Helena. Lacking confidence in her
looks, Helena thinks that Demetrius and Lysander are mocking her when the
fairies’ mischief causes them to fall in love with her. |
|
The Players |
||
|
Peter Quince , a carpenter, Prologue |
Minor |
A carpenter and the nominal leader of the craftsmen’s attempt to put
on a play for Theseus’s marriage celebration. Quince is often shoved
aside by the abundantly confident Bottom. During the craftsmen’s play,
Quince plays the Prologue. |
|
Nick Bottom , a weaver, Pyramus |
Principal |
The overconfident weaver chosen to play Pyramus in the craftsmen’s
play for Theseus’s marriage celebration. Bottom is full of advice and
self-confidence but frequently makes silly mistakes and misuses language.
His simultaneous nonchalance about the beautiful Titania’s sudden love
for him and unawareness of the fact that Puck has transformed his head
into that of an ass mark the pinnacle of his foolish arrogance. |
|
Francis Flute , a bellows-mender, Thisbe |
Minor |
The bellows-mender chosen to play Thisbe in the craftsmen’s play for
Theseus’s marriage celebration. Forced to play a young girl in love, the
bearded craftsman determines to speak his lines in a high, squeaky voice. |
|
Tom Snout , a tinker, Wall |
Minor |
A tinker who is the wall in the interlude. |
|
Snug , a joiner, Lion |
Minor |
The joiner chosen to play the lion in the craftsmen’s play for
Theseus’s marriage celebration. Snug worries that his roaring will
frighten the ladies in the audience. |
|
Robin Starveling , a tailor, Moonshine |
Minor |
A tailor who plays Moonshine in the interlude. |
|
The Fairies |
||
|
Oberon , King of the Fairies |
Principal |
The king of the fairies, Oberon is initially at odds with his wife,
Titania, because she refuses to relinquish control of a young Indian
prince whom he wants for a knight. Oberon’s desire for revenge on
Titania leads him to send Puck to obtain the love-potion flower that
creates so much of the play’s plot. |
|
Titania , Queen of the Fairies |
Principal |
The beautiful queen of the fairies, Titania resists the attempts of her
husband, Oberon, to make a knight of the young Indian prince that she has
been given. Titania’s has a brief, potion-induced love for Nick Bottom,
whose head Puck has transformed into that of an ass. |
|
Puck , or Robin Goodfellow |
Principal |
Also known as Robin Goodfellow, Puck is Oberon’s jester, a
mischievous fairy who delights in playing pranks on mortals. His
enchanting, mischievous spirit pervades the atmosphere, and his antics are
responsible for many of the complications that propel the other main
plots: he mistakes the young Athenians, applying the love potion to
Lysander instead of Demetrius, thereby causing chaos within the group of
young lovers; he also transforms Bottom’s head into that of an ass. |
|
Peaseblossom |
Minor |
The fairies that attend Titania. |
|
Cobweb |
Minor |
The fairies that attend Titania. |
|
Mustardseed |
Minor |
The fairies that attend Titania. |
|
Moth |
Minor |
The fairies that attend Titania. |